Showing posts with label Irish Goddess. Show all posts
Showing posts with label Irish Goddess. Show all posts

Sunday, 1 April 2018

TALES FROM THE CAILLEACH - Enough Old Women around for the magic to survive.

Outside a predatory wind circles, indoors the fire is red and I have company to share the long hours with.
“ I’ve made the tea, you take in the brack and butter. We’ll sit by the hearth.”




Soon a comfortable silence blankets the room as we gaze into orange depths.

“Why are you smiling, Granny?"

“Ehh. Oh I was just thinking about my sister, mo chroí. 
She was a woeful show-off back in the day, still is. 
This one time I caught her out, good and proper. Took her centuries to live it down.”

“Go on, go on, tell me what happened.”

This tale will take a while so I add more turf and take a good sup of tea. 

“Well this was donkey’s years ago, when we roamed all over, wild we were, only settling now and then when the mood took us.
My sister, Garavogue, was full of mischief and wherever we lived she delighted in taking eggs from the neighbours’ hens and stealing milk from their cows.
Skilled in charms she was and I remember she only had to chant the words “All the butter to me” three times and butter would fly from the churns into a bucket she held.
She caused some trouble I can tell you.

Anyway, this one evening an old farmer comes to my door looking for help.
He sat on the hearth like you are now and explained that his cows were giving less milk each day, 
his wife could no longer make butter to sell and he worried for the children.
A couple of his neighbours reported seeing a hare scampering amongst the herd at dusk and as soon as he said that I knew who it was.

Garavogue.
Taking the shape of the hare comes easy to us and drinking milk straight from a cow was just her style, so I thought it was about time she had a taste of her own medicine. 


I told the farmer to go to the field with his friends that night and take their dogs with them. 
They were to hide and wait for the hare and when she came to the herd they were to let the dogs loose. 

I stood at my door at sunset.



I didn’t have to wait long either, as soon as the moon came up there was barking loud enough to be heard in the next parish.
The hare circled the field followed by the dogs, faster and faster they ran until one managed to sink his teeth in her leg. 
That spurred the hare on even more and soon she bolted from the field and ran up the boreen opposite.”




I poured a hot top on the tea and helped myself to brack.

“What happened then?”

“Well, the men called off their dogs and the farmer hurried along in the tracks of the hare, down the boreen to the old cottage. 
He burst through the door and what did he find?

Only my sister Garavogue, collapsed in her chair. 
She was nursing her leg, wrapping it in moss to stop the bleeding.
Not a word was spoken. 
She’d been found out and that was enough to put a stop to her shenanigans.
The next morning when I opened my door there was a basket of eggs and a bottle of poitín on the step, payment from the farmer.”

“What about your sister? Did she know it was you?”

“Ahh well, that evening Garavogue herself came over. 
Her limp was only slight, we Old Women heal fast. 

“Any news ?” she asked

“No, nothing strange or exciting” I told her as I put out plates.
“You’ll have your tea of course, there’s eggs on the boil and a drop of poitín while we wait.”

She spied the fresh bottle and she knew, I saw the twinkle in her eye.
She smiled at me and raised her glass ‘Sláinte!’




She got her own back of course, played many a trick on me and the others over the years.”


“Tell me more granny, please.”

“Not tonight, it’ll be time to sleep soon.”

“But just tell me … do all grannies do that? Turn into a hare and run about the fields?”

“ Not all of them, mo croi, but there’s enough Old Women around for the magic to survive.”


***

This tale of The Cailleach and her sister is based upon folklore from Co. Louth.
A wealth of collected Irish folklore is now available online at Dúchas.ie

Images & Words © Jane Brideson.





Sunday, 28 January 2018

The Protection of Brigid - making the three-armed Brigid’s Cross.


Across the island the most widespread custom associated with Brigid on the eve of Lá Fhéile Bríde, Brigid’s Feast Day, was the making of the Cros or Bogha Bríde, Brigid’s Cross. 


Hung in the home, often above the door or hearth, in the cattle byre and in the stable, the crosses were made to honour Brigid and to protect against “fire, storm, lightning, illness and epidemic” throughout the year.



The many forms of Brigid’s Cross displayed in Kildare.


Today the four-armed cross is the most well known, woven by pagans and christians to celebrate Brigid’s Day and Imbolg. 



Brighid’s Crosses made from straw.


The three-armed cross, reminiscent of the triskele and the Legs of Manannán, is the form of cross 
I make to hang above the threshold of my studio.






The Legs of Mann created by WILLOW MANN on the Isle of Man.


For many this design represents the goddess Brigid as Brigid of Healing, Brigid of Poetry and 
Brigid of Smithcraft, as well as her associations to Fire,



Brigid's Eternal Flame - public sculpture Kildare.


Sacred Wells, 


Brigid's Well, Kildare.
Read more about my visit to Kildare HERE


And the Land.


Croghan Hill, Co. Offaly.
Legend tells that Brigid had her smithy beneath the hill.
Read more about Croghan Hill HERE


Brigid’s triple armed cross is simple and quick to make, only requiring reeds / rushes, ribbon or wool and scissors.



The Common Rush, Luachra, which grows in moist areas is commonly used to make crosses.
Rushes (also known as reeds) or straw left over from making the Brigid's Cross was thought to
have curative powers, when tied around a sore limb or head and left on overnight.
The following morning the rushes were burnt to complete the cure.



Gathering rushes in the Lough Field.


Firstly collect your rushes choosing the thickest you can find, preferably on Brigid’s Eve,
31st January.
Traditionally, in some areas, it was the job of the man of the house to gather the rushes, although across the island making the Brigid’s Cross was usually the domain of women and girls.



Custom dictated that the rushes should be pulled out of the earth, however many people 
today prefer to cut the reeds close to the ground, leaving the roots in tact.


If reeds or rushes are not to be found use straw, pliable willow withies or pipe cleaners. 



Crosses made from straw, rushes and willow withies.





1 Begin to make your Brigid's Cross by picking two sturdy rushes and fold one in half across the other, forming a T shape. 



2 Hold firmly at the centre so that the cross remains intact then gently bend the horizontal rush 1.



3 Fold a third rush in half & place around reed 2 so that it lies next to rush 1.

Rotate the cross, holding firmly onto the rush you have just added.



5 Take another, fold and place around rush 4. Hold this recently added rush and rotate again. 



6 By now you will have a triangle forming at the centre.


7 Continue adding rushes, always holding firmly and rotating the cross before adding the next one.



8 Your cross will look like this and you can add as many rushes as you wish.




9 When you've added enough rushes ‘lock’ the final rush in place by gently easing out the loop of the nearest rush
Place the ends of the new rush through this loop then push the loop back into place. 
Make sure to hold firmly using your thumb to grip the centre.




10 To finish - start with the last arm you ‘locked’ and tie the ends securely with wool, ribbon 
or a strong rushes. Finish the other two arms in the same way.



11 Cut the rushes to neaten the ends or leave natural.


You have now completed your three-armed Brigid’s Cross.



Place above the threshold of your home. 



May it bring you the blessings of Brigid 
and her protection throughout the year.

Sunday, 18 June 2017

Knockainey, Midsummer and the scent of Meadowsweet.


Midsummer is almost upon us, our senses filled with colour, the heady scents of woodbine 
and wild sweet pea, the sound of bees and birds. 






Almost overnight, clouds of meadowsweet appear along the boreen. 


In folk medicine meadowsweet, Airgead Luachra, ‘silver rushes’
was used to cure fevers and colds as well as easing pain. 


In Co. Galway meadowsweet was placed under the bed of a person afflicted by wasting sickness brought on by contact with the Good People. The use of the flower was fraught with danger however, as patients risked falling into a deep and deadly sleep.



Also known as Cúchulainn’s Belt, meadowsweet was said to have reduced 
the heroes’ fever and calmed his fits of rage. 


It was Àine however, the ‘bright’ goddess often associated with the sun, who gave meadowsweet its’ perfume. 
In the old tales she is described as “the best-natured of women”.



Àine is found in several places in the Irish landscape, including Lough Gur 
where she is remembered as Bean Fhionn, White Lady. 

Link to previous post about Àine & Lough Gur ~
LOUGH GUR - “a personality loved, but also feared.”



Her main residence however is her hill, Cnoc Áine, Knockainey, which is steeped in myth.



Knockainey from Bóher Na Sceach, ‘road of the thorns’. 



Ritual once took place here on Oiche Fhéile Eóin, St. John’s Eve, June 23rd.
The celebration falls close to the Summer Solstice and many believe it has its’ roots in pagan ritual. 


In legend Áine, using her magic, helped to take the hill from the Firbolg so that her people, the Tuatha Dé Danann, could settle there. 
Her price for preventing bloodshed was that “the hill were given to her till the end of the world.”  




At 528 feet high, the summit provides views across the landscape to the hills around Lough Gur, 
to Knockfierna and to the sacred fires which would once have been lit on hill tops to celebrate the changing seasons. 



Knockfierna to the west of Knockainey. 

Folklore tells that the local fairies, led by Áine, used to play a hurling match against the god, 
Donn Firinne who lived beneath Knockfierna. 
Whoever was victorious would ensure a successful potato crop.




The top of Áine’s Hill, difficult to reach in the summer months due to grazing cattle, has the remains of three mounds. These were believed to be the dwelling places of the Tuatha Dé Danann, Eogabal (said by some to be Aine's father), 
Fer Fi and Áine.

Diagram of Knockainey mounds from Thomas J. Westropp, 
 “The Ancient Sanctuaries of Knockainey and Clogher, Co. Limerick and Their Goddesses”
Proceedings of the Royal Irish Academy 1917 - 1919 

After visiting Knockainey Westropp describes’s Áine’s cairn as

 “a defaced, insignificant heap of earth and stones wrecked by treasure-seekers.” 


As late as the 19th century celebrations were held at Midsummer and at harvest when burning brands of hay and straw were carried to the summit.



Evans-Wentz, W. Y. - 'The Fairy-faith in Celtic Countries', London: H. Frowde, 1911.






The goddess herself was believed to lead a similar rite. 



Several wells are marked on the old maps suggesting that there may have been rituals involving water. 
One ‘curious’ well which flowed down the slope beneath her mound was recorded as 
Áine’s Well and she was said to haunt the local river as a banshee, combing her hair beside the waters of the Camòg.



All that can be found today is Mary's Well in the village.  




A series of exposed rocks, the remains of an old quarry, hide the elusive Áine Clíar's Cave.




The Hill and land around Knockainey is filled with ancient monuments, mounds and standing stones once part of Bronze and Iron Age burial traditions and ceremonies. 

The landscape holds its’ secrets but still whispers, in the summer months, of forgotten rituals, celebrations to the sun and to Áine, the “ beautiful spirit crowned with meadowsweet”.



Offerings to Áine at the river.


Click link below to read more about Knockainey & view the surrounding landscape from the summit ~ 



















Monday, 1 May 2017

Bealtaine, Water & Sun~Enchanted Dew.


Bealtaine Eve, Oíche Bealtaine, and the supernatural prevails.

On May Day, the start of summer, especially in the moments before dawn, water was understood 
to possess magical qualities and in rural Ireland the Good People used this medium to meddle in the affairs of humans.

Folk belief was rich in traditions surrounding wells, rivers and dew at this time.



Tobar Geal, Bright / White Well, Co. Galway. 

The first water taken from the well after dawn on May Day, known as Barra-bua an tobair , 
sgaith an tobair, ‘the top of the well’ or ‘the luck of the well’, was collected from the surface using 
a milk-skimmer. 
This water, which brought luck to the household, was used as protection against evil intent and 
was saved for healing. 



Village well, Co. Offaly.

Where a water source was in a village or shared by neighbours there was rivalry 
between households to be the first to skim the well for luck after the sun rose on May Day.


So strong was the belief in Other-worldly forces that precautions were taken to protect the water supply from interference. 


Village pumps were also defended, especially at dawn on May morning and some were chained 
and locked overnight to prevent their use.


People sat guarding the well, salt or holy water was sprinkled around the site or a slip of mountain ash or piece of iron was placed in the water itself. 



Flowers collected on Bealtaine Eve were placed in wells to safeguard water and the health 
and livelihood of the community. Later in the day May flower water could be taken from the well
for use as a cure and as a means of protection.


However, it was not only the Good People who were believed to be abroad at this time. 
Certain individuals who harboured evil intentions would steal well water or dew from fields to appropriate the fertility, luck and prosperity of their neighbours.



The Hag of the Mill - LINK HERE


Those who worked charms were understood to be older women with supernatural powers, gained from invoking 
the devil or associating with the Good People. 
They obtained assistance from the Otherworld by crawling naked on May morning under an arch of briar then bathed naked in dew. 



Water was understood to hold a subtle connection to people and to animals which could be 
utilised by fairy and human alike.


Taking water from three different wells on May morning had the power of stealing the butter yield from the neighbours, whilst water taken from a point where 3 farm boundaries or townlands met, uisce na dtrí teorann, ‘water of three mearings’, was especially potent for use in magical workings and setting charms, so these areas were safeguarded.




Drinking place for cattle on the River Barrow.


Watch was often kept overnight at streams which flowed through farmland as the spots where cattle drank were also vulnerable. 
Strangers or Otherworld beings, who could approach in the form of wild creatures, were warned off with a shout or a blast from a shotgun.




To avert malign influence neither milk nor cow dung was permitted to fall into streams lest the water be used magically. 
Even after milking, hands to be washed elsewhere to avoid drawing unwanted attention to the contaminated water. 

Dew was of great value on the first day of summer.

In some places as much as possible would be gathered before sunrise in order to ensure enough money for the rest of the year.


Washing the face or rolling naked in May dew bestowed beauty as well as giving a resistance 
to sunburn, freckles, chapping and wrinkling of the skin in the following year. 

Dew was collected before sunrise by shaking long grass or herbs into a dish or by placing a clean cloth on the grass and wringing it out when soaked.
The most powerful dew was understood to collect on green corn or wheat.



Dew on May morning was considered most potent and walking barefoot through grass 
ensured healthy feet.


The collected dew was transferred into a clear glass bottle then placed on a window sill to stand in the summer sunshine. 
During this time any dirt settled at the bottom then the liquid was decanted. 
This process was carried out several times as the action of ‘sunbeams’ on the dew itself was considered purifying and increased its’ potency. 
By the end of summer the dew would look ‘whitish’ and could be kept for a year or two as a 
medicine to cure headaches, skin ailments and sore eyes.




Dew was at its’ most potent when used before sunrise on May Day especially when it was employed in the working 
of malevolent magic.
‘Stealing the butter’, increasing your butter yield at others’ expense, was accomplished by gathering dew from a neighbours’ field where their cows grazed whilst repeating a charm.

“Come butter come!
Come butter come!
Every lump as big as my bum!”

***

Today many May Day water customs have long been forgotten but the practice of washing the face in May dew continues.
Where did this reverence for dew originate?

The late folklorist Dáithí Ó hÓgáin wrote of a source of wisdom employed by the druid-poets which describes the action of sun on dew resulting in inspiration. 

imbas gréine, … defined in early literature as ‘bubbles which the sun impregnates on herbs, 
and whoever consumes them gains poet-craft.
This is a reference to dew.”




Ó hÓgáin goes on to say:

“Elsewhere there are highly significant references to druchtu Déa, (dew of a goddess), 
which in early poetic rhetoric was a kenning for the all-important 
ith ocus blicht (‘corn and milk’). ”

The land-goddess is fertilised by the sun, her body produces dew and the corn and milk which are essential for the nourishment for the community. 

As Ó hÓgáin theorised this may be an early understanding of agriculture and the partaking of dew an element in druidic ritual during summer.


At dawn tomorrow, when you wash your face in the dew, beware, 
you may be taking part in a tradition that stretches back further than you imagine.