Showing posts with label Goddess paintings. Show all posts
Showing posts with label Goddess paintings. Show all posts

Sunday, 12 June 2016

By Stone, Whitethorn and Well.


It may have been that sacred springs and wells were understood by our ancestors to originate in the Otherworld, flowing from the earth into this world at special places, bringing healing, inspiration, wisdom and connection to deities.


Gold boat from the Brighter Hoard Co. Derry, thought to be a votive offering to Manannán Mac Lír.

Numerous deposits of votive offerings were made during the Bronze and Iron Ages in the lakes, rivers and bogs of Ireland indicating that water was an important part of ancient peoples’ lives and beliefs.

In Ireland there remain wells that are pre-Christian in origin


St. Mobhi’s Well, also known as Fionn MacCumhail’s Well. 
Photograph courtesy of Gary Branigan - Gary's book is available HERE
The construction has lead archaeologist Geraldine Stout to suggest that it may have been built around the same time as the great mound at Newgrange. 

and famous wells of mythology whose over flowing created the rivers of the island.


 Trinity Well, the source of the Boyne.

One such well was Tobar Segais, said to be surrounded by nine hazel trees.
When the hazelnuts, containing wisdom, fell into the water they were eaten by the Salmon, a creature who appears throughout Irish tradition associated with great knowledge. 


An Bradán Feasa, The Salmon of Wisdom courtesy of Séighean Ó Draoi.
More work by Séighean HERE

The legend of Tobar Segais explains that the only visitors allowed to approach the Well of Knowledge was Nechtan and his three cup bearers.
However, Boann, Nechtan’s wife, defies this taboo and visits the well where she walks around it three times, tuathal, anti-clockwise, against the course of the sun.

Unfortunately Tobar Segais, like most wells, should only be circled in a sun-wise direction and her offence causes the waters to rise up, drowning and dismembering Boann and creating the River Boyne, which bears her name.


Boann - the goddess whose essence forms the river.
More about Boann HERE

We cannot know the ancient rituals or beliefs associated with sacred springs and wells but the spiritual traditions which have grown around them may offer a glimpse into the past. 


Tobar Lugna, Co. Offaly.

With the arrival of Christianity many wells were consecrated by the early saints of Ireland and folk traditions were incorporated into the Christian rituals.
These older folk beliefs are thought to contain traces of much earlier practices of pilgrimage and veneration at well sites. 


Irish Roman Catholicism today includes devotions which take place on the feast day of the patron saint of the parish, these are known as ‘patterns’ and many are linked to rituals at wells. 
Sign explaining the pattern at ‘The City’ and holy well, Co. Kerry. 

Part of these prescribed rituals involved pilgrims ‘paying the rounds’, reciting a rosary whilst circling around the well site a number of times, always revolving deiseal, in the sun wise direction.  

Crutches and circling ritual at Doon Well, Co. Donegal. ©info@ihpc.ie

Often this circling is carried out three times, at others nine, with water from the holy well sipped at the end of the rounds. 
Occasionally holy water was taken away in bottles to be used at graves, in healing or sprinkled at the four corners of the home for protection.  

In the past patterns often ended with drinking, dancing and fighting and were so popular in rural areas that the church began to forbid these gatherings, describing the folk belief in the powers of the wells as pagan.


Bullaun stone at St. Manchan’s Holy well, Co. Offaly where sunlight and shadow creates the ‘mystical fish’.

Some healing wells were understood to contain a mystical fish, often a salmon or a trout, which appeared at certain times when the water was especially potent. 
As a sacred symbol the fish is known in both Irish mythology and Christianity. 


At St Kieran’s Holy Well, Castlekieran, Co. Meath, three trout are said to appear just before 
midnight on the first Sunday of August.
For those seeking to be cured the presence of the fish is taken as a sign that the healing
will be effective. 


Offerings continue to be made to wells, usually after drinking the water, with coins, holy medals, pieces of cloth and flowers left by pilgrims. 
Occasionally a pin or coin is put into the well water itself.


Offerings at St. Fachtnan’s Well on the Burren.


Offerings of daisies and rose petals at Ladywell, Co. Galway.

Another element of many well sites is the presence of a special bush or tree, usually a whitethorn, ash or oak.
Rags are often secured to the branches of these trees as an offering to the well or in the case of healing wells, in the belief that as the cloth rots away so does the illness.


Whitethorn & offerings at one of The Seven Blessed Wells of Killeigh, Co. Offaly.
The well dates to pre Christian times.

Holy wells are not only accompanied by trees.
There are numerous locations recorded as having some sort of stone nearby and this combination of water, tree and stone was incorporated into Christian ritual.


Stone, whitethorn and well at Tobereenatemple, Co. Clare.

Stones found near wells may consist of standing stones, enclosures or natural outcrops. 


The City, Co. Kerry.


The City, Co. Kerry 
The stones may be used as altars or utilised in ‘patterns’ with marks being scratched on the surface to indicate points within the rounds.

It is common to find a boulder with one or more depressions near to holy wells, known as a bullaun stone, although the formation and original function of bullauns is unknown.


Bullaun stone at Saint John’s Well, St John’s Point, County Down.

The presence of a well, a tree and a special stone marks these locations as sacred.

Unlike the great community gatherings at bonfire festivals of the past, perhaps our ancestors also visited these places alone, in silence, or circled sacred wells chanting or murmuring prayers as many do today?


The atmospheric Ráithin Well, Co. Clare.

Sitting by stone, whitethorn and well the modern world drops away and we are left with nature, 
deep peace and the spirits of the place.


St Fachtnan's Well, a place of solitude and silence.

This is the second of three posts about Sacred Water, you can read the first HERE



















Sunday, 8 November 2015

My FaceBook SHOP

I now have a Facebook SHOP where you can buy 
Cards & Prints of my original paintings. 
If you have enjoyed my work on this blog please visit, 
LIKE and SHARE my Page with your friends. 
THANK YOU.
MY FACEBOOK SHOP

If you are on Facebook please drop by & say Hello!


Thursday, 9 July 2015

An evening with The Ever-Living Ones


An opportunity to view the original paintings, 
meet the artist & buy cards or posters.
Please drop by for a glass of wine - everyone is welcome!

Tuesday, 23 December 2014

Winter Solstice and time for hibernation

Detail from Aenghus Óg - more details are HERE
On the longest night we sat in the dark silence of winter and as the light returned to illuminate
the chamber at Newgrange I lit a candle to welcome the suns' rebirth.


Although we have a few more seconds of daylight now the weather is firmly set to winter and
for me it is the time of year to hibernate: to rest, to dream and to go inwards.


It is a time when I am often inspired with new images for paintings or form new connections to
older ideas. It is an interval when I read books, write in my journal or sit and reflect.

'Elder Mother' © Jane Brideson
So until the green shoots appear I wish you all the blessings of hibernation.
May you awaken refreshed and renewed!

To read about Winter Solstice sunrise at Newgrange please visit -
Irish Archaeology
For a tour of the complex, video and more information visit - Voices from the Dawn
Places inside the mound to witness the return of the sun are limited but a lottery is drawn every year.
To take part please visit -  Newgrange.com

Sunday, 7 December 2014

Time of The Cailleach

Watercolour, gouache & pastel on watercolour paper 20" x 27".
Model: Siobhán ní Ghabhann.

"Three great ages; the age of the yew tree, the age of the eagle, 
the age of the Old Woman of Beara (Cailleach Bheara)." - Old Connacht proverb

When daylight decreases and the cold wind nips at my nose as I walk along the frosty road I know 
that it is the time of The Cailleach.
Cailleach means 'old woman, hag or veiled one' and she also known in Ireland as
Cailleach Bhéara,  Cailleach Bhiorach, Cailleach na Huibhe, Boí / Buí & Sentainne Bérri.
She has many different guises in folklore: she is the bean ghlúine - the midwife, the bean fasa -
the wise woman and the bean chaoínte - the keening woman.
She is also the hag who is embraced by the hero to become the beautiful Goddess of Sovereignty.
The Old Woman may originally have been a lunar goddess associated with the sea, the formation
of the land and various horned animals especially deer and cows.


1 On the left, beneath the waxing moons and the Bealach na Bó Finne, the Milky Way
can be seen Slieve Gullion, Co. Armagh where the southern cairn, the largest, is known as 
the Calliagh Berra's House and to its north lies the Calliagh Berra's Lough. 
She is said to have tricked Fionn McCool into jumping into its waters and when he emerged he 
was transformed into an old man. 
Beneath the mountain is a small herd of red deer, the only species native to Ireland, believed to have had a continuous presence here since the end of the last Ice Age, c. 10,000 BCE.

2 On the right, beneath the waning moons, lies Cnóbha, Knowth, Co. Meath. 
The mound is also known as Cnoc Buí where it is believed that the ancestor, Buí,
'cow like one' is buried.


3 An Cailleach sits at the centre of the painting within the west recess of Cairn T,
Sliabh na Caillí, part of the Loghcrew passage tomb complex in Co. Meath which dates
from around 4,000 BCE .

She is surrounded by the many, richly decorated stones which line the tomb and around her neck
hang some of the objects discovered in excavations of the complex.
Above her is a carved stone set into the roof and beneath it the 'Equinox' stone of the recess which is illuminated by the rising sun at the Autumn and Spring Equinoxes.

4 The complete complex of Loughcrew spreads across the lap of An Cailleach.
Patrickstown Hill is on the left, Carnbane East with Cairns T, U and V visible at the centre and Carnbane West on the right, showing Cairns D and L. Altogether there are the remains of 25 cairns here, each aligned to various astronomical events, with Cairn T on the highest peak commanding views over 18 counties.
Several of the mounds originally had a mantle of white quartz & must have been an impressive sight 
in sunlight or under a full moon. 
5 Her hands are placed in the crack of the sill stone as she connects the earth, the sea and the moon. 


6 To the left is the pale Calendar Stone found at Cairn X on Patrickstown Hill, thought to show
both solar and lunar cycles.
On the right is kerbstone 15 from Knowth also thought to be a Calendar Stone depicting the
suns' annual journey.

7 Below this is Carrauntoohil, Co. Kerry with the Hag's Tooth just visible.
To the left is Oiléan Buí, Dursey Island off the Bheara Peninsula, Co. Cork.
Close to the coast of the island is a rock standing in the sea known as Bó Buí, Buí's Cow,
which is said to have been turned to stone by An Cailleach herself.

 Carrantuohill & Hag's Tooth - wikipedia

8 At the centre bottom is An Cailleach Bhéarra, The Hag of Beara, a metamorphic rock
unlike any other in the area.
There are many stories about The Hag of Beara locally, one being that she turned herself to stone 
so that there would always be a hag on Beara. 
Another tells that she stands on the hillside above Coulagh Bay gazing out over the Atlantic 
watching for the return of her lover Manannán Mac Lír.
If you visit her today you will find offerings of ribbons, flowers and crystals adorning the rock 
in honour of the Cailleach Bhéarra.

Photo © Jane Brideson


To find out more & take a virtual tour please visit:
Information on The Wild Deer Association of Ireland can be found HERE
For a fascinating study of the Cailleach see: 
"The Book of the Cailleach: Stories of the Wise Woman Healer" by Gearóid Ó Crualaoich.






Wednesday, 19 November 2014

PAGES RETURN

I have finally completed reposting my paintings.
Please see below for updated pages.
And a new one.

Paintings and info on Irish Goddesses HERE

Paintings and info on Irish Gods HERE

Information on Art Cards & Posters HERE

My paintings from the Hill of Tara HERE

NEW PAGE:
My older designs now available to order again - more info  HERE

Sunday, 19 October 2014

MÓRRIGAN / MÓR-RÍOGHAIN






1 She offers a gateway into darkness and the entrance to her cave,
Uaigh na gCat, Owenygat, in Co. Roscommon.

Owenygat : photo © www.rathcroghan.ie

2 Two mounds near Brú na Bóinne known collectively in mythology as Mur na Morrigna,
‘The Wall of the Mór-Ríoghain or Great Queen’ and later as Da Cich na Mórrigna,
'Two Paps of the Mórrigan'.
One text names these mounds individually as cirr & cuirrel,  comb and brush of
the Dagdha’s wife. Today they are referred to as satellite mounds K and L, passage graves
which contain decorated stones. 
Below them stands the stone known as the Lia Fáil on the Hill of  Tara, Co. Meath
where the Mórrigan resided for a time.
The stone now commemorates the graves of the Croppy Boys of 1798.



Paps of Anu, Co. Kerry.

3 Da Chích Anann, the Paps of the Goddess Anu, who was associated with the Mórrigan.
Between the mountains lie Gleannfreagham, 'The Glen of the Ravens'.

4 Below the Paps is Gort-na-Morrigna, Mórrigan’s field, Co. Louth, which in Irish mythology
was the gift given to the Mórrigan by her husband, the Dagdha.

Drombeg: photo © Megalithic Ireland.com
5 Several fulacht or ancient cooking places within the landscape are known as Fulacht na Morrigna,
Mórrigans' hearth. When the Goddess resided at Tara her cooking spit was famous for its' size
and ability to hold and cook three sorts of food at one time.



6 Within the hearth sits a cauldron from the Late Bronze Age found in a bog in Castlederg,
Co. Tyrone and believed to have been made for ritual purposes.
The bronze cauldron is on display in the National Museum of Ireland, Dublin.

Bronze cauldron: © 100objects.ie
7 Within the rising steam curls a wolf, a raven & an eel each of which the Mórrigan,
as shape-shifter, transformed into.





8 The final element of the painting shows the River Barrow.
The Goddess is associated with Samhain and with various rivers also appearing in mythology as
the 'Washer at the Ford', an aspect of the Mórrigan who prophecies the death of warriors in
forthcoming battle by standing in a stream washing their bloody armour.

We are also told that The Mórrigan had a son, Mechi, who had three hearts each containing
the shapes of three serpents within them.
Mac Cecht killed Mechi so that the serpents would not grow to consume or blight the island.
He removed the hearts, burnt them and threw the ashes into a river which boiled up.
The 'boiling'  river, the berba, is thought to be the River Barrow, one of the three sister rivers.

The model for the painting was Carmel Ní Dhuibheanaigh.


Carmel

Please also visit:
http://www.rathcroghan.ie
http://www.voicesfromthedawn.com/drombeg-stone-circle/
http://storyarchaeology.com

If anyone is interested in cards or posters of the Mórrigan please email me at -
morrigan@mac.com