Saturday, 26 December 2015

'Otherworld Shenanigans' posts

If you're looking to escape the weather with a cup of tea and a short story here are links to my
'Otherworld Shenanigans' posts.
They are based upon real places in Ireland, tales and reminiscences of my elderly neighbour, Jim, 
who lived his life in the same house he was born in. 
The stories reflect a time when the belief in the Good People was more common than it is today. 
Just click on the titles below & you will be transported.



Map showing the local Fairy Path -The 1829 Ordanance Survey Map of the area
 which depicts Lough Duff with the island &  tree. 
Our home is marked X,  the wooden cabin Y & the second field Z. 



The Comb Field of the Banshee today.


The Diviner - Pic © 'Ireland: the living landscape' 
by Tom Kelly, Peter Somerville-Large & Seamus Heaney.



Lough Doire Bhile, Glengoole © peterdriver.blogspot.ie
The island on Lough Duff , in which the Good People live, may have looked like this.



Under the whitethorn on the mound at Sheean.



I hope you enjoy them!

Sunday, 20 December 2015

A candle in the window.

The 22nd is the longest night of the year, when darkness is deepest.
As the sun rises on Wednesday we witness the birth of a new year.

The winter solstice sunrise at Newgrange.
Photo by Anthony Murphy © mythical ireland.com

The seconds of daylight will slowly increase and the sun will climb higher in the sky bringing the promise of spring. Until then we keep the fire going, stay indoors and gather with family and friends
to celebrate a rebirth.

3,000 years ago ancient people, in the Boyne Valley and elsewhere, were probably doing much the same. 


They too prepared for an important annual occasion,
the return of sunlight into the centre of the great mound,
Brú na Bóinne, now known as Newgrange.

We can only imagine the meaning of this phenomenon to our ancestors yet despite the change in
date and beliefs across the years, we continue the magic of this event in our modern traditions.


As we decorate the tree and light our candles we perform small acts 
of sympathetic magic to encourage the return of the sun.


On dark evenings when we gather indoors and close the curtains the glow of tiny lights
reflect the star filled, winter sky outside.


Beneath the branches lie gifts from loved ones, memories of childhood
and mementoes of our ancestors.

Although it is often said that this is a time for children, we adults also sense the magic of 
the turning year and feel the hope that a new year brings.


Irish tradition includes placing a lit candle in the window on Christmas Eve, 
symbolising a welcome to those looking for shelter on that night.


In our own window shines a golden light, a symbol of the returning sun and a sign that there 
is a place beside the fire for those in need.

May you have warmth, food & companionship this winter 
and feel the hope embodied by the reborn sun.

Sunday, 13 December 2015

Mythical figures across the land.

In Ireland mythology is everywhere, in landscape, place names, at sacred sites, wells and rivers.
Within cities too the work of artists and sculptors remind us of ancient stories.


Queen Maeve -  Bronze statue in Beresford Place, Dublin. Created by Patrick O'Reilly.


In places the Children of Lír still emerge changed by Aoife into four white swans. 

 The Children of Lír, Dublin Garden of Remembrance. Created by Oisín Kelly.


The Children of Lír, Lough Owel, County Westmeath. Created by Linda Brunker.


The Children of Lír, Ballycastle, County Antrim. Artist unknown.

Our goddesses, gods and heroes still grace the land.


Sculpture of Étaín and Midhir by Éamonn O'Doherty 
standing in the park near the Ardagh Heritage & Creativity Centre.


Princess Macha at the entrance to Altnagelvin Hospital, Co. Derry by F.E Mc William. 
Macha was said to have founded the earliest hospital in Ireland. 


Éire with harp by Jerome Connor, Merrion Sq Park, Dublin.


The dying Cú Chulainn by Oliver Sheppard can be seen in the GPO, Dublin
and is a memorial to the participants of the 1916 Rising.
 Bronze statue of  Cú Chulainn carrying his dying friend Ferdia 
by Ann Meldon Hugh, Ardee, County Louth. 

Lugh on the shore of Lough Dunlewy at the foot of Mount Errigal, Co. Donegal. Artist unknown.


Manannán by Peter Grant, The Mall, Castlebar, Co. Mayo.


Sea God Manannán  by Ann Meldon Hugh, Dundalk, Co. Louth. 

One has been taken

The stolen statue of Danu who once stood near the Paps of Anu, Co. Kerry.

and one has returned.

 Manannán Commands the Sea by sculptor John Darren Sutton. 

In a moment of syncronicity when I  began to write this post I heard that the statue of Manannán Mac Lír, stolen back in January and recovered, will be erected again to look out from Binevenagh Mountain, Co. Derry towards Lough Foyle.

Welcome back!


Sunday, 29 November 2015

Shining Stones.

I've long been fascinated by shining stones,  cloche geala, the bright, white stones which appear throughout the ancient architecture, folklore and mythology of Ireland.



Also known as grian cloche, sun stones, they are white quartz, clear crystal and quartzite stones which
most famously appear on the monuments of the Boyne Valley.

Shining stones, used in the modern facade of Newgrange 
& at the entrance to Knowth nearby, were discovered during excavations.

The Silva Gadelica of 1892 describes the mound as "chequered with the many lights” and it is easy
to imagine how impressive the quartz covered mound would have originally been when it glowed
in sunlight and beneath a full moon.

Quartz stones were erected in many places on the island and finds of shining stones occur at almost all of the ancient, sacred sites excavated here.

Poundcartron, Co. Galway  Photo by Gerard Bleeker .


Not confined to construction, quartz crystals and white stones were also left inside mounds to lie 
with the dead.


Excavations in Cairn T on Sliabh na Caillí, Loughcrew revealed a clear quartz crystal, drilled 
& used as a pendant. Poulnabrone, across the country, held two such crystals amongst other artefacts.


Why were these shining stones so important to our ancestors?
One answer may lie in a special property of quartz, its' triboluminescence. 
This means that when one piece of quartz is rubbed against another, in the dark, 
a bright yellow-orange light can be seen. 

The Uncompahgre Ute people of Central Colorado created ceremonial rattles made from 
buffalo rawhide filled with clear quartz crystals. When shaken during night time ceremonies, 
flashes of light could be seen through the translucent hide.
In a similar way quartz may have been used in the ancient rituals of Ireland.

Perhaps this characteristic was understood as a living fire, akin to sunlight, within the stone ?
Or maybe the stone was believed to house the spirits of the departed awaiting rebirth?


***

Folklore also provides us with insights into shining stones.
In the same way that the fairy folk were known as daoine uaisle, good people /gentry,
white quartz was called cloche uaisle, gentle or noble stone and associated with fairies, their
mounds and the dead.


This practice of cursing, especially using nine white stones in a fire, was used in many areas.
It was understood that misusing these stones in this way would awaken the ire of the Good People
who would vent their anger upon the cursed one.

White stones however could be used to heal as well as harm.

Quartz crystal amulet encased in silver, 
15th century from The National Museum of Ireland.  
Amulets were dipped in specially collected water and used in healing rituals.

Fairy doctors and WISE WOMEN, in contact with the Good People, were said to use white quartz and crystals to cure sick people and animals.
A cure for boils involved reddening nine white quartz stones in the fire then placing them into a pot
of boiling water and sage.

The Shrine of Miosach.
Later sacred quartz was used in the decoration of Christian shrines 
to protect relics and some were thought to have the power to heal. 

The beliefs and rituals associated with shining stones were adapted by the early Christian church
with stones used on saints' beds, graves and at holy wells.

Skour Well. Co. Cork with Christian icons, a Rag Tree and shining stones.

On May eve, Bealtaine, pilgrims would make rounds at the well and leave a white stone.

White quartz is revered by many communities often marking rites of passage. 


This is "The Tinkers' Heart", a pattern of quartz stones laid at an Argyll crossroads in Scotland 
during the 1700's.  Since then it has been used by generations of  Travellers as a sacred place 
to bless their children and hold weddings. 

Across time, from the Neolithic to today, there appears to be continuity in the beliefs and traditions associated with shining stones.
Although we will never know the meaning of quartz to our ancestors it appears to be connected with sacred ground, ritual fires, the Otherworld and possibly the rebirth of the spirit.

We find white quartz chippings on modern graves, cloche gaela left at holy places in the landscape,

Offerings left at Drombeg Stone Circle Co. Cork, known locally as the Druid’s Altar.

 and quartz crystals used in healing and as tools to 'see' the future.




Saturday, 14 November 2015

A Samhain remembrance.

We descend into winter's darkness.
Around us leaves fall, animals begin to hibernate and nature appears to sleep yet we hold fast in
the knowledge that spring will return and new life will emerge.

Candles lit for the departed.
It is fitting that the month of Samhain, November, is the time when we remember those who have gone before us,
our ancestors, our loved ones.

In Irish mythology and folklore Donn was considered to be the god to whom people went after their death.
In one text Donn tells his people:

"To me, to my house you shall come after your deaths." 

DONN by Jane Brideson showing the House of Donn at sunset.
Read about this painting HERE

He was known across the island but is remembered particularly in the West where his most famous dwelling is
Teach Duinn, the House of Donn.
Also called Bull Rock, it lies off the coast of Dursey Island, Co. Cork and is now home to a lighthouse.

Bull Rock
The rock, with its natural archway, was described as 'Donn's house behind Ireland'. 


In the folklore of Kerry and Cork the belief persisted that the spirits of the dead travelled across the sea, along a path illuminated by the setting sun, to Donn's House.

The House of Donn at sunset.

Local fishermen understood that spirits travelled west to the Land of the Dead or to mythical islands such as
Tír na hÓige, the Land of Youth, where they enjoyed the afterlife.


And so it is still, when we light a candle in the west to honour those who have left this life,



or open a west facing window to allow a spirit to depart at death
 or look to the sunset to remember...

Sunday, 8 November 2015

My FaceBook SHOP

I now have a Facebook SHOP where you can buy 
Cards & Prints of my original paintings. 
If you have enjoyed my work on this blog please visit, 
LIKE and SHARE my Page with your friends. 
THANK YOU.
MY FACEBOOK SHOP

If you are on Facebook please drop by & say Hello!


Sunday, 1 November 2015

A new painting: The Fairy Mound.

As the sun sank beneath the land, Samhain began...
a door to the Otherworld opened...
from the mound the Good People emerged to travel across the island. 



The Fairy Mound © Jane Brideson


Offerings of cheese and milk were left outside.



The fire was banked. 
Bairín brac and a drop of the hard stuff were placed on the table before I made my way to bed.


Sleep stole upon me as I heard the door latch lift and the chair before the fire creak.



The Old Ones had come home.